A visual and editorial design project that introduces the life and work of Satyajit Ray through a structured, magazine-like format. The project transforms research material into a clear visual narrative, making it accessible to a broad audience.
In June 2024, I had the incredible opportunity to participate in The Art of Documentary on the Treasure of NGMA, a workshop held at the National Gallery of Modern Art (NGMA). It was a deeply enriching experience that combined my passion for art and filmmaking, allowing me to explore the process of documenting art through a creative lens.
The workshop focused on understanding and capturing the essence of NGMA’s rich art collection, with a special emphasis on the works of Rabindranath Tagore. Tagore’s art, with its abstract forms and emotional depth, stood out to me. His ability to express complex feelings through simple yet profound strokes inspired me to explore how art could be interpreted and presented through film.
Throughout the workshop, we engaged in hands-on exercises, learning about framing, lighting, and the technical aspects of documentary filmmaking. More than the technical side, the workshop encouraged us to find our personal connection with the art — to feel it before capturing it. This approach made me more aware of how art communicates silently, through texture, color, and form.
Collaborating with fellow participants and learning from experienced mentors added another layer of growth. We exchanged ideas, experimented with different styles, and discovered new ways of interpreting visual narratives.
This workshop was not just about documenting art — it was about discovering the stories behind the artworks and understanding how to translate them into a cinematic language. It reinforced my belief that art and storytelling are deeply intertwined, and it gave me the confidence to explore this connection further in my creative journey.
Location: Mora Torsha Riverbank, Shalbagan, Cooch Behar
Project: Shalbagan Ecofriendly Jungle Theatre Festival, 2024
This drawing is an attempt to design a theatre stage for a river-side setting. I tried to create a concept and develop it into a spatial layout that can work with an uneven natural landscape.
The design combines three references: Vashal Jal from North Bengal, small bamboo river bridges, and a theatre stage, shaping a linear and interconnected structure.
Using materials like bamboo, wood, and rope, I explored an ecofriendly and modular approach. Through this work, I continued learning how stage design can respond to its environment.